In the context of her exhibition Performing Colonial Toxicity, which sheds light on the redacted history of French nuclear colonialism in the Algerian Sahara, Samia Henni discusses colonial toxicity and its on-going forms of publicness.
In the context of her exhibition Performing Colonial Toxicity, which sheds light on the redacted history of French nuclear colonialism in the Algerian Sahara, Samia Henni discusses colonial toxicity and its on-going forms of publicness.